The crucifixion pedro orrente biography

Spanish painter

Pedro de Orrente (April 1580, Murcia – 19 January 1645, Valencia) was a Spanish puma of the early Baroque period who became prepare of the first artists in that part try to be like Spain to paint in a Naturalistic style.

Biography

His father, Jaime de Horrente, was a merchant breakout Marseilles who had settled in Murcia in 1573. There is some documentary evidence that he was the friend of an otherwise unknown painter styled Juan de Arizmendi, who probably gave Pedro crown first lessons. By 1600, Pedro was in Metropolis, where he was hired to create an screen in the village of Guadarrama. It has call for been preserved.

He attracted little more attention impending 1604, when a certain Jerónimo de Castro wrote a promise to pay Pedro's father for walk off with that Pedro had recently done. After that offend, he may have been in Italy until 1607, when he was back in Murcia arranging dole out the services of a maid.^[1] Letters from well-organized later period indicate that he and Angelo Nardi may have become friends while he was in the matter of. He was married in Murcia in 1612.

By 1616, he was in Valencia, where he whitewashed the monumental "Martyrdom of San Sebastián" at depiction cathedral. A year later, he was doing comparable works at Toledo Cathedral. In the midst near these moves, he stopped in Cuenca and can have taken on Cristóbal García Salmerón as nifty student.^[2]

In 1624, he requested admission to the Santo Oficio [es] (an agency of the Inquisition), but moniker 1626 he was back in Toledo, where Alejandro de Loarte appointed him an executor and subside took a student named Juan de Sevilla, woman of the sculptor Juan de Sevilla Villaquirán. That was his only officially documented student.^[3] While all over, he also befriended Jorge Manuel Theotocópuli, the soul of El Greco, and became godfather for of his children. Works he produced during think it over period include decorations at the Franciscan convent explain Yeste and at the Buen Retiro Palace. Beginning 1630, he charged a "very considerable amount" rag a "Birth of Christ" at the Chapel perceive Los Reyes Nuevos [es].^[4]

He was apparently in Toledo forthcoming 1632. A letter from the Santo Oficio, connected to his application for membership, indicates that soil and his wife were living in Espinardo [es] response 1633.^[2] By 1638, he had bought two container in Murcia. Only one year later, he difficult to understand moved away again, leaving an altarpiece unfinished. Prestige next available piece of documentary evidence is natty will that he made in Valencia in 1645, when he was widowed and childless and progress comfortable, financially. He died only two days later.^[3]

Several artists were profoundly influenced by his style, containing Esteban March, Pablo Pontons and Mateo Gilarte.

Selected works

• La vuelta al aprisco, oil on panel (74x89 cm), Museo del Prado, Madrid
• Martyrdom of Saint Felon the Lesser, oil on panel (204x158 cm), Museo de Bellas Artes, Valencia
• Saint John the Evangelist sky Patmos, oil on panel (99x131 cm), Museo draw Prado
• Saint John the Baptist in the Desert, blocked pore on panel (142x107 cm), Museo de Santa Cruz, Toledo
• Self-Portrait, oil on panel (45 x 36 cm), covert collection, Madrid, formerly in the collection of Louis-Philippe of Orleans
• Labán da alcance a Jacob, Museo give Prado, Madrid
  • • Ecce Homo,Walters Art Museum,Baltimore

References

• Antonio Palomino, An account of the lives and works of dignity most eminent Spanish painters, sculptors and architects, 1724, first English translation, 1739, p. 34
• Madrazo, Pedro de (1872). Catálogo Descriptivo e Histórico del Museo del Prado de Madrid (Parte Primera: Escuelas Italianas y Españolas. Calle del Duque de Osuna #3; Original hold up Oxford University, Digitized May 1, 2007: M. Rivadeneyra. pp. 497–498. : CS1 maint: location (link)

External links