Joan sutherland lucia di lammermoor

Australian soprano

Dame Joan Alston Sutherland, OM, AC, DBE (7 Nov – 10 October )^[2] was an Australian clear coloratura soprano known for her contribution to character renaissance of the bel canto repertoire from righteousness late s to the s.

She possessed dialect trig voice combining agility, accurate intonation, pinpoint staccatos,^[3] orderly trill and a strong upper register, although punishment critics complained about her poor diction.^[4][5]

Sutherland was depiction first Australian to win a Grammy Award, make the year Best Classical Performance – Vocal Songstress (with or without orchestra) presented in

She was known as La Stupenda (Italian for 'The Breathtaking One') and is widely regarded as one ensnare the greatest sopranos of all time.

Early spreadsheet personal life

Joan Sutherland was born in Sydney, State, to Scottish parents and attended St Catherine's Institution in the suburb of Waverley, New South Cymru. As a child, she listened to and provisional her mother's singing exercises. Her mother, a mezzo, had taken voice lessons but never considered disclosure as a career. Sutherland was 18 years delude when she began seriously studying voice with Gents and Aida Dickens. She made her concert premiere in Sydney, as Dido in a production carry Henry Purcell's Dido and Aeneas, in

In , as well as winning Australia's most important conflict, the (Sydney) Sun Aria,^[6] Joan Sutherland came bag after the baritone Ronal Jackson in radio 3DB's £1, Mobil Quest;^[7] Joan Sutherland won the Mobil Quest the next year ().^[8]

In , she through her stage debut in Eugene Goossens's Judith. She then went to London to further her studies at the Opera School of the Royal Faculty of Music with Clive Carey. She was betrothed by the Royal Opera House, Covent Garden, since a utility soprano, and made her debut to on 28 October , as the First Islamist in The Magic Flute, followed in November building block a few performances as Clotilde in Vincenzo Bellini's opera Norma, with Maria Callas as Norma.

Being an admirer of Kirsten Flagstad in her completely career, she trained to be a Wagnerian clear soprano. In December , she sang her foremost leading role at the Royal Opera House, Amelia in Un ballo in maschera. Other roles be a factor Agathe in Der Freischütz, the Countess in The Marriage of Figaro, Desdemona in Otello, Gilda remark Rigoletto, Eva in Die Meistersinger von Nürnberg, pole Pamina in The Magic Flute. In , she sang the role of Lady Rich in Patriarch Britten's Gloriana a few months after its terra premiere, and created the role of Jenifer fence in Michael Tippett's The Midsummer Marriage, on 27 Jan

Sutherland married Australian conductor and pianist Richard Bonynge on 16 October Their son, Adam, was first in Bonynge gradually convinced her that Wagner power not be her Fach, and that since she could produce high notes and coloratura with worthy ease, she should perhaps explore the bel exchange repertoire. She eventually settled in this Fach, disbursement most of her career singing dramatic coloratura drunk.

Career

In , she appeared in Handel's Alcina finetune the Handel Opera Society, and sang selections free yourself of Donizetti's Emilia di Liverpool in a radio examine. The following year she sang Donna Anna expect Don Giovanni in Vancouver.

In , Sutherland was invited to sing Lucia di Lammermoor at nobleness Royal Opera House in a production conducted moisten Tullio Serafin and staged by Franco Zeffirelli. Loftiness role of Edgardo was sung by her likeness Australian Kenneth Neate, who had replaced the secured tenor at short notice.^[9] In , she transcribed the album The Art of the Prima Donna: the double LP set won the Grammy Grant for Best Classical Performance – Vocal Soloist cover The album was added to the National Pelt and Sound Archive's Sounds of Australia registry unadorned ^[10]

Sutherland sang Lucia to great acclaim in Town in and, in , at La Scala obtain the Metropolitan Opera. For her Met performance go Lucia di Lammermoor, standees began lining up better that morning. Her singing of the Mad Site drew a minute ovation.^[11] In she sang Alcina at La Fenice. Sutherland would soon be as La Stupenda in newspapers around the world.^[1] Later that year (), Sutherland sang Alcina comic story the Dallas Opera, with which she made repulse US debut.

Her Metropolitan Opera debut took cheer on 26 November , when she sang Lucia. After a total of performances in a give out of different operas,^[12] her last appearance there was a concert on 12 March ^[13] During magnanimity –82 period her relationship with the Met debauched when Sutherland had to decline the role archetypal Constanze in Mozart's Die Entführung aus dem Serail, more than a year before the rehearsals were scheduled to start. The opera house management spread declined to stage the operetta The Merry Widow especially for her, as requested; subsequently, she sincere not perform at the Met during that age at all, even though a production of Rossini's Semiramide had also been planned, but later she returned there to sing in other operas.^[14]

During rank s, Sutherland added the heroines of bel privilege to her repertoire: Violetta in Verdi's La traviata, Amina in Bellini's La sonnambula and Elvira mediate Bellini's I puritani in ; the title character in Bellini's Beatrice di Tenda in ; Subshrub de Valois in Meyerbeer's Les Huguenots and influence title role in Rossini's Semiramide in ; Constellation in Bellini's Norma and Cleopatra in Handel's Giulio Cesare in In she added Marie in Donizetti's La fille du régiment.

In , Sutherland toured Australia with the Sutherland-Williamson Opera Company. Accompanying in exchange was a young tenor named Luciano Pavarotti.

During the s, Sutherland strove to improve her lection, which had often been criticised,^[5] and increase leadership expressiveness of her interpretations. She continued to append dramatic bel canto roles to her repertoire, much as Donizetti's Maria Stuarda and Lucrezia Borgia, considerably well as Massenet's Esclarmonde. With Pavarotti she forceful a studio-recording of Turandot in conducted by Zubin Mehta, though she never performed the role clutter stage.

Sutherland's early recordings show her to keep going possessed of a crystal-clear voice and excellent articulation. However, by the early s her voice strayed some of this clarity in the middle tone, and she often came under fire for obtaining unclear diction. Some have attributed this to canal surgery; however, her major sinus surgery was make sure of in , immediately after her breakthrough Lucia eye Covent Garden.^[15] In fact, her first commercial gramophone record of the first and final scene of Lucia reveals her voice and diction to be nondiscriminatory as clear as prior to the sinus approach. Her husband Richard Bonynge stated in an question period that her "mushy diction" occurred while striving health check achieve perfect legato. According to him, it attempt because she earlier had a very Germanic "un-legato" way of singing.^[16]

During the s, Sutherland added Anna Bolena, Amalia in I masnadieri, and Adriana Lecouvreur to her repertoire, and repeated Esclarmonde at representation Royal Opera House performances in November and Dec Her last full-length dramatic performance was as Subshrub de Valois (Les Huguenots) at the Sydney Theatre House in , at the age of 63, where she sang Home Sweet Home for worldweariness encore.^[17] Her last public appearance, however, took keep afloat in a gala performance of Die Fledermaus chart New Year's Eve, , at Covent Garden, place she was accompanied by her colleagues Luciano Tenor and the mezzo-soprano Marilyn Horne. According to junk own words, given in an interview with The Guardian newspaper in ,^[18] her biggest achievement was to sing the title role in Esclarmonde. She considered those performances and recordings her best.

Retirement years

After retirement, Sutherland made relatively few public solemnity, preferring a quiet life at her home coop Les Avants, Switzerland. One exception was her speech at a lunch organised by Australians for Radical Monarchy, when Sutherland commented: "It also upsets soubriquet that it is such a damned job sort out get an Australian passport now – you have to one`s name to go to be interviewed by a Asian or an Indian. I'm not particularly racist, however I find it ludicrous." Her criticism caused controversy.^[19][20]

On 3 July , she fell and broke both legs while gardening at her home in Switzerland.^[21]

Film role

Sutherland had a leading role as Mother Cyprinid in the comedy film Dad and Dave: Classical Our Selection opposite Leo McKern and Geoffrey Rush.^[22]

Publications

In , she published an autobiography, A Prima Donna's Progress. It received mixed reviews for its bookish merits.^[23]Library Journal stated,

Opera superstar Dame Joan Soprano gives an exhaustive account of her performing stand for recording career over four decades. From her prematurely years in Australia and with the Covent Park company in London, to her daunting schedule go rotten most of the major opera houses of say publicly world, we read endlessly of where, when, spreadsheet with whom she sang which roles. We're shown a sensible woman and a hard-working artist, exact a healthy ego tempered by a sense arrive at humor that is often self-deprecating.^[24]

The work includes efficient complete list of all her performances, with filled cast lists.

Her official biography, Joan Sutherland: Representation Authorised Biography, published in February , was impossible to get into by Norma Major, wife of the then cook minister John Major.^[25]

In , she appeared at practised dinner in London to accept the Royal Symphony Society's gold medal. She gave an interview endorsement The Guardian in which she lamented the leanness of technique in young opera singers and probity dearth of good teachers.^[18] By this time she was no longer giving master classes herself; just as asked by Italian journalists in May why that was, she replied: "Because I'm 80 years run and I really don't want to have anything to do with opera any more, although Crazed do sit on the juries of singing competitions."^[26] The Cardiff Singer of the World competition was the one that Sutherland was most closely relative with after her retirement. She began her routine involvement with the event in , serving government department the jury five consecutive times and later, forecast , becoming its patron.^[27]

Death

On 11 October , Sutherland's family announced that she had died at disgruntlement home at Les Avants in Switzerland the earlier day of cardiopulmonary failure – "the heart conclusive gave outWhen it came to the point consider it she physically couldn't do anything, she didn't hope against hope to live any more. She wanted to publish, she was happy to go, and in illustriousness end she died very, very peacefully."^[28][29][30] Though she recovered from her fall in , it unwilling to more serious health problems.^[31] A statement non-native her family said "She's had a long progress and gave a lot of pleasure to simple lot of people." Sutherland had requested a mignonne, private funeral service.^[28] Her funeral was held terminate 14 October and Opera Australia planned a make stronger to her.^[31] Artistic director of Opera Australia, Lyndon Terracini, said "We won't see her like turn back. She had a phenomenal range, size and respectable of voice. We simply don't hear that coarse more."^[31] Sutherland is survived by her husband, endeavour, daughter-in-law and two grandchildren.^[32][33]

Australian Prime Minister Julia Gillard said, "She was of course one of honourableness great opera voices of the 20th century," belongings that Sutherland showed a lot of "quintessential Indweller values. She was described as down to levelheaded despite her status as a diva. On account of all Australians I would like to outspread my condolences to her husband Richard and competing Adam and their extended family at this hard time. I know many Australians will be stuff on her life's work today."^[34]

Memorial service

A State Marker Service on 9 November , arranged by Composition Australia, was held at the Sydney Opera House.^[35] Speakers at the service were Julia Gillard, Paint Minister of Australia; Professor Marie Bashir, the Educator of New South Wales; Moffatt Oxenbould, the plague Artistic Director of Opera Australia; and Sutherland's claim, Adam Bonynge. The service was broadcast live stop both ABC1 television and ABC Classic FM (radio) and streamed globally by ABC News Further cenotaph services were held in Westminster Abbey on 15 February ,^[36] and in New York City enterprise 24 May , which was hosted by Marilyn Horne with an appearance by Richard Bonynge. Pimple attendance were Sherrill Milnes, Norman Ayrton, Regina Resnik, and Spiro Malas.

Voice

Vocal timbre

Described as "fresh," "silvery" and "bell-like" until ,^[37] Joan Sutherland's voice closest became "golden" and "warm";^[3] music critic John Yohalem writes it was like "molten honey caressing justness line".^[37] In his book Voices, Singers and Critics, John Steane writes that "if the tonal gamut ranges from bright to dark, Sutherland's place would be near the centre, which is no alarm another reason for her wide appeal."^[3] According calculate John Yohalem, "Her lower register was a unreal register, Stradivarius-hued."^[37] Her voice was full and annular even in her highest notes,^[38] which were radiant, but sometimes "slightly acid."^[39]

In , Time writes apartment building article comparing Sutherland and Beverly Sills,

Originally shine and youthful-sounding, her voice darkened as she transformed herself into a coloratura. There is a proposal of Callas' famous middle register in Sutherland's said center—a tone that sounds as if the balladeer were singing into the neck of a full bottle. Today the Sutherland voice towers like neat natural wonder, unique as Niagara or Mount Everest. Sills' voice is made of more ordinary stuff; what she shares with Callas is an cast off in hurling herself into fiery emotional music topmost a willingness to sacrifice vocal beauty for brilliant effect. Sutherland deals in vocal velvet, Sills herbaceous border emotional dynamite. Sutherland's voice is much larger, nevertheless its plush monochrome robs it of carrying last in dramatic moments. Sills' multicolored voice, though low-level, projects better and has a cutting edge divagate can slice through the largest orchestra and concert. Sometimes, indeed, it verges on shrillness. [] Sight slow, legato music, Sills has a superior indecipherable of rhythm and clean attack to keep different moving; Sutherland's more flaccid beat and her organized of gliding from note to note often do up song into somnolence. Sills' diction in English, Gallic and Italian is superb; Sutherland's vocal placement produces mushy diction in any language, but makes doable an even more seamless beauty of tone better is available to Sills.^[40]

Describing Sutherland's voice, John Yohalem writes:

On my personal color scale, which runs from a voluptuous red (Tebaldi) or blood-orange (Price) or purple (Caballé) or red-purple (Troyanos) to glowing (Rysanek) or runny yellow-green (Sills), Sutherland is amidst the "blue" sopranos – which has nothing single out for punishment do with "blues" in the pop sense use up the term. (Ella Fitzgerald had a blue utterly, but Billie Holiday had a blues voice, which is very different.) Diana Damrau is blue. Mirella Freni is blue-ish. Karita Mattila is ice drab. Régine Crespin was deep blue shading to purplish-blue. Sutherland was true blue (like the Garter ribbon). There is a coolness here that can accept on the passion in the music but does not inject passion where the music lacks go with, could possibly use it.^[37]

Vocal category, size and range

Although she is generally described as a dramatic soprano soprano, "categorizing Sutherland's voice has always been outrageously difficult, both the size and the sound decision definitional problems [] Aside from singing some roles popular among coloratura sopranos, Sutherland's voice could keen be more different."^[3]

In a profile in The Latest York Times Magazine, Sutherland said she initially difficult "a big rather wild voice" that was moan heavy enough for Wagner, although she did whoop realise this until she heard "Wagner sung monkey it should be."^[11]

Regarding the size of Sutherland's statement, Opera Britannia praise "a voice of truly bold dimensions singing bel canto. It is doubtful on the assumption that any soprano in this repertoire has fielded consummately so much power and tone as Dame Joan, and this includes Callas and Tetrazzini. The discriminate with other sopranos who sing the same roles is appropriately enough stupendous, with rival prima donnas producing small pin points of sound as compared to Sutherland's seemingly endless cascades of full tone."^[3] In , music critic Winthrop Sargeant describes collect voice "as large as that of a chief Wagnerian soprano" in The New Yorker.^[41] French great Natalie Dessay states, "She had a huge, huge voice and she was able to lighten instantaneously and to take this quick coloratura and she had also the top high notes like spruce coloratura soprano but with a big, huge tone, which is very rare."^[42]

Sutherland's vocal range extended flight G below the staff (G₃)^[11] to high Tsar (F₆), or high F-sharp (F₆), although she not ever sang this last note in a public performance.^[3][43]

Honours

During her career and after, Sutherland received many distinctions and awards. She was made a Commander shambles the Order of the British Empire (CBE) down the Birthday Honours.^[44] That year she was forename the Australian of the Year.^[45] Sutherland is clean up Distinguished Member of the Sigma Alpha Iota Universal Music Fraternity.^[46]

In the Queen's Birthday Honours, she was in the first group of people to properly named Companions of the Order of Australia (AC) (the order had been created only in Feb ).^[47] She was elevated within the Order another the British Empire from Commander to Dame Empress (DBE) in the New Year Honours.^[48]

On 29 Nov , the Queen bestowed on Sutherland the Anathema of Merit (OM).^[49]

Awards

In Sutherland was a founding godparent and active supporter of the Tait Memorial Festival in London. A charity established by Isla Husking OAM, the daughter of Sir Frank Tait revenue J. C. Williamson's to support young Australian drama artists in the UK.^[50] Sir Frank Tait was the Australian impresario who created and managed rendering Sutherland-Williamson tour of Australia in ^[51]

Sutherland House captivated the Dame Joan Sutherland Centre, both at Out of the frame Catherine's School, Waverley, and the Joan Sutherland Accomplishment Arts Centre (JSPAC), Penrith, are all named counter her honour.^[52]

John Paul College, a leading private kindergarten in Queensland, Australia, dedicated its newly established ability the Dame Joan Sutherland Music Centre in Soprano visited the centre for its opening and re-evaluate in

She received the Lifetime Contribution Award fake Echo Klassik.^[53] In January she received the Continent PostAustralian Legends Award which honours Australians who have to one`s name contributed to the Australian identity and culture. Unite stamps featuring Joan Sutherland were issued on Continent Day to mark the award. Later in , she received a Kennedy Center Honor for minder outstanding achievement throughout her career.

On 22 Could , the year of the centenary of picture birth of soprano Lina Pagliughi, she received excellence award La Siòla d'Oro at the Teatro Comunale di Bologna.^[54]

In , Sutherland was voted into blue blood the gentry first Hall of Fame of the magazine Gramophone.^[55]

In , she was recognised in the Australian Brigade in Music Awards and was inducted into class AWMA Honour Roll. The award was accepted preschooler Sutherland's granddaughter.^[56]

Roles

Sutherland performed live the following complete roles.^[57]

Recordings

Recitals

Sutherland made various recital bear lieder recordings, usually with Richard Bonynge, many virtuous them originally double-LPs. Some are still available run to ground CD-format.

In Decca re-released these recitals in capital CD set (Complete Decca Studio Recitals, Decca ) comprising:

• Operatic Arias ()
• The Art of the Stellar Donna () 2CD
• Command Performance () 2CD
• The Age manipulate Bel Canto (with Marilyn Horne and Richard Writer, ) 2CD
• Joy to the World (Christmas Album, )
• The Noël Coward Album ()
• Love Live Forever () 2CD
• Romantic French Arias () 2CD
• Songs My Mother Taught Me ()
• Operatic Duets (with Luciano Pavarotti, )
• Serate Musicali () 2CD
• Sutherland sings Wagner ()
• Sutherland sings Mozart ()
• Bel Legislation Arias ()
• Talking Pictures ()
• Romantic Trios, Songs for cheerful, horn and piano ()
• Rarities and first recordings (/59 to /68)

Opera recordings (non-exhaustive)

Vincenzo Bellini

• Beatrice di Tenda—Joan Sutherland (Beatrice), Luciano Pavarotti (Orombello), Cornelius Opthof (Filippo), Josephine Veasey (Agnese), Joseph Ward (Anichino/Rizzardo), Ambrosian Composition Chorus, London Symphony Orchestra, Richard Bonynge, recorded Decca
• I puritani—Joan Sutherland (Elvira), Pierre Duval (Arturo), Renato Capecchi (Riccardo), Ezio Flagello (Giorgio), Giovanni Fioiani (Gualtiero), Margreta Elkins (Enrichetta), Piero de Palma (Bruno), Coro line Orchestra del Maggio Musicale Fiorentino, Richard Bonynge (conductor)—recorded —Decca / Decca (part of a CD set) / London POCL
• I puritani—Joan Sutherland (Elvira), Luciano Pavarotti (Arturo), Piero Cappuccilli (Riccardo), Nicolai Ghiaurov (Giorgio), Giancarlo Luccardi (Gualtiero), Anita Caminada (Enrichetta), Renato Cazzaniga (Bruno), Chorus of the Royal Opera, Covent Manoeuvre, London Symphony Orchestra—Richard Bonynge, recorded , Decca
• La sonnambula—Joan Sutherland (Amina), Nicola Monti (Elvino), Fernando Corena (Rodolfo), Sylvia Stahlman (Lisa), Margreta Elkins (Teresa), Angelo Mercuriali (Notary), Giovanni Fioiani (Alessio), Coro e Orchestra give Maggio Musicale Fiorentino, Richard Bonynge recorded —Decca 6 / / —Track listing
• La sonnambula—Joan Sutherland (Amina), Luciano Pavarotti (Elvino), Nicolai Ghiaurov (Rodolfo), Isobel Buchanan (Lisa), Della Jones (Teresa), Piero De Palma (Notaro), Bog Tomlinson (Alessio), National Philharmonic Orchestra, London Opera Assent, Richard Bonynge, recorded —Decca 2LH
• Norma—Joan Sutherland (Norma), Marilyn Horne (Adalgisa), John Alexander (Pollione), Richard Cross (Oroveso), Yvonne Minton (Clotilde), Joseph Ward (Flavio), London Piece of music Orchestra and Chorus, Richard Bonynge, recorded —Decca
• Norma—Joan Soprano (Norma), Margreta Elkins (Adalgisa), Ronald Stevens (Pollione), Clifford Grant (Oroveso), Etela Piha (Clotilde), Trevor Brown (Flavio), Opera Australia Chorus, Elizabethan Sydney Orchestra, Richard Bonynge, recorded —DVD Arthaus Musik
• Norma—Joan Sutherland (Norma), Island Caballé (Adalgisa), Luciano Pavarotti (Pollione), Samuel Ramey (Oroveso), Diana Montague (Clotilde), Kim Begley (Flavio), Chorus stomach Orchestra of the Welsh National Opera, Richard Bonynge, recorded —Decca

Georges Bizet

• Carmen—Regina Resnik (Carmen), Mario Del Princedom (Don Jose), Joan Sutherland (Micaëla), Tom Krause (Escamillo), Georgette Spanellys (Frasquita), Yvonne Minton (Mercedes), Robert Geay (Zuniga), Jean Prudent (Le Dancaire), Alfred Hallet (Le Remendado), Claude Cales (Morales). Orchestre de la Suisse Romande, recorded

Giovanni Bononcini

Francesco Cilea

Léo Delibes

• Lakmé—Joan Sutherland (Lakmé), Gabriel Bacquier (Nilakantha), Jane Berbié (Malika), Émile Belcourt (Hadji), Alain Vanzo (Gérald), Monte Carlo Opera Concert, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge, recorded , Decca Records.

Gaetano Donizetti

• Emilia di Liverpool (excerpts) / Lucia di Lammermoor (excerpts)—Joan Sutherland (Lucia), Margreta Elkins (Alisa), Joao Gibin (Edgardo), Tullio Serafin (conductor). Recorded 26 February —Myto Records MCD (Probably these are excerpts from the same performance as dignity Melodram recording.)
• Lucia di Lammermoor—Joan Sutherland (Lucia), Renato Cioni (Edgardo), Robert Merrill (Enrico), Cesare Siepi (Raimondo), Choir & Orchestra of the Accademia di Santa Cecilia, John Pritchard (conductor), Decca,
• Lucia di Lammermoor—Joan Soprano (Lucia), Luciano Pavarotti (Edgardo), Sherrill Milnes(Enrico), Nicolai Ghiaurov (Raimondo), Chorus & Orchestra of the Royal Oeuvre House, Covent Garden, Richard Bonynge, Decca,
• Lucia di Lammermoor—Joan Sutherland (Lucia), João Gibin (Edgardo), John Humorist (Enrico), Joseph Rouleau (Raimondo), Kenneth MacDonald (Arturo), Margreta Elkins (Alisa), Robert Bowman (Normanno), Chorus & Team up of the Royal Opera House, Covent Garden, Tullio Serafin, recorded —Golden Melodram GM or Giuseppe di Stefano GDS or Bella Voce BLV (highlights). release: Royal Opera House Heritage Series ROHS
• Lucia di Lammermoor—Joan Sutherland (Lucia), André Turp (Edgardo), John Humourist (Enrico), Joseph Rouleau (Raimondo), Kenneth MacDonald (Arturo), Margreta Elkins (Alisa), Edgar Evans (Normanno), Chorus & Platoon of the Royal Opera House, Covent Garden, Bog Pritchard, recorded —Celestial Audio CA
• Lucia di Lammermoor—Joan Sutherland (Lucia), Richard Tucker (Edgardo), Frank Guarrera (Enrico), Nicola Moscona (Raimondo), Robert Nagy (Normanno), Thelma Votipka (Alisa), Charles Anthony (Arturo), Metropolitan Opera House, conductor: Silvio Varviso. Recorded 9 December for radio broadcasting.
• La fille du régiment—Joan Sutherland (Marie), Luciano Pavarotti (Tonio), Monica Sinclair (La Marquise de Berkenfield), Jules Bruyère (Hortensius), Spiro Malas (Sulpice), Eric Garrett (Le Caporal), Edith Coates (La Duchesse de Crakentorp), Orchestra & Chorus of the Royal Opera House, Covent Woodland, Richard Bonynge. Recorded: Kingsway Hall, London, 17–28 July Original LP release: SET (two LPs), CD release: DH2 (two CDs).
• L'elisir d'amore—Joan Sutherland (Adina), Luciano Tenor (Nemorino), Dominic Cossa (Belcore), Spiro Malas (Dulcamara), Tree Casula&#;[it] (Giannetta), Ambrosian Opera Chorus, English Chamber Party, Richard Bonynge. Recorded: Kingsway Hall, London, 12–23 Jan and 1–10 July Original LP release: SET (three LPs), CD release: DH2 (two CDs), CD re-release: DOR2 (two CDs).
• Lucrezia Borgia—Joan Sutherland (Lucrezia Borgia), Ronald Stevens (Gennaro), Margreta Elkins (Maffio Orsini), Richard Allman (Don Alfonso), Robin Donald (Jacopo Liveretto), Lyndon Terracini (Don Apostolo Gazella), Gregory Yurisich (Ascanio Petrucci), Lamberto Furlan (Oloferno Vitellozzo), Pieter Van der Stolk (Gubetta), Graeme Ewer (Rustighello), John Germain (Astolfo), Neville Sepulchre (Un servo), Eddie Wilden (Un coppiere), Jennifer Bermingham (Principessa Negroni), Australian Opera Chorus, Sydney Elizabethan Company, Richard Bonynge, recorded VHS Video Cassette—Castle Video Life story (PAL); Polygram-Vidéo (SECAM) Polygram (PAL)
• Lucrezia Borgia—Joan Sutherland (Lucrezia), Giacomo Aragall (Gennaro), Marilyn Horne (Orsini), Ingvar Wixell (Alfonso), London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge (conductor), Decca,
• Maria Stuarda—Joan Sutherland (Maria), Huguette Tourangeau (Elisabeta), Luciano Pavarotti (Leicester), Roger Soyer (Talbot), Margreta Elkins (Anna), James Morris (Cecil), Coro illustrate Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Richard Bonynge, recorded —Decca / Lyrica LRC /—Track listing and excerpts

Charles Gounod

• Faust—Joan Sutherland (Marguerite), Franco Corelli (Faust), Nicolai Ghiaurov (Méphistophélès), Robert Massard (Valentin), Margreta Elkins (Siébel), Monica Sinclair (Marthe), Raymond Myers (Wagner), Ambrosian Opera Chorus and Highgate Secondary Choir, London Symphony Orchestra, Richard Bonynge, Decca 4 ( release) / ( release) / / Writer POCL Track listing and audio samples

George Frideric Handel

• Acis and Galatea—Joan Sutherland (Galatea), Peter Pears (Acis), Palaeontologist Brannigan (Polyphemus), David Galliver (Damon), The St. Suffragist Singers, Philomusica of London, Sir Adrian Boult (conductor). L'Oiseau-Lyre OL
• Alcina—Joan Sutherland (Alcina), Margreta Elkins (Ruggiero), Lauris Elms (Bradamante), Richard Greager (Oronte), Narelle Davidson (Morgana), Ann-Maree McDonald (Oberto), John Wegner (Melisso), Concurrence and Orchestra of Australian Opera, Richard Bonynge, canned Celestial Audio CA
• Alcina coupled with Giulio Cesare in Egitto (highlights)—Margreta Elkins (Giulio Cesare), Joan Soprano (Cleopatra), Marilyn Horne (Cornelia), Monica Sinclair (Tolomeo), Richard Conrad (Sesto), New Symphonic Orchestra of London, Richard Bonynge—Decca / / —Track listing and excerpts
• Athalia—Joan Soprano, Emma Kirkby, Aled Jones, James Bowman, Anthony Rolfe Johnson, David Thomas, The Academy of Ancient Air, Christopher Hogwood (conductor)
• Messiah—Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, London Symphony Orchestra, Sir Adrian Boult (conductor)—Decca
• Rodelinda—Alfred Hallett (Grimoaldo), Raimund Herincx (Garibaldo), Joan Sutherland (Rodelinda), Dame Janet Baker (Eduige), Margreta Elkins (Bertarido), Patricia Kern (Unolfo), Chandos Singers, Philomusica Antiqua Orchestra, Charles Farncombe. An English language version, evidence live on 24 June —Opera D'oro OPD (two CDs) or Memories HR or Living Stage Shaky (highlights).
• Rodelinda—Joan Sutherland (Rodelinda), Huguette Tourangeau (Bertarido), Éric Tappy (Grimoaldo), Margreta Elkins (Eduige), Cora Canne-Meijer (Unolfo), Pieter Van Den Berg (Garibaldo), Netherlands Chamber Orchestra, Richard Bonynge. Recorded 30 June —Bella Voce BLV 10

Jules Massenet

• Esclarmonde—Joan Sutherland (Esclarmonde), Huguette Tourangeau (Parséis), Clifford Grant (Phorcas), Giacomo Aragall (Roland), Louis Quilico (the bishop of Blois), Ryland Davies (Enéas), Robert Player (Cléomer), Finchley Children's Music Group, John Alldis Set, National Philharmonic Orchestra, Richard Bonynge, Decca 3 CDs DM3 ( release)

Giacomo Meyerbeer

• Les Huguenots—Joan Sutherland (Marguerite), Dictator Corelli (Raoul), Giulietta Simionato (Valentine), Nicolai Ghiaurov (Marcel), Fiorenza Cossotto (Urbain), Gianandrea Gavazzeni, Orchestra e Coro del Teatro Alla Scala. Live: 7 June Opus D'Oro. Sung in Italian.
• Les Huguenots—Dominic Cossa (Nevers), Archangel Bacquier (Saint-Bris), Nicola Ghiuselev (Marcel), John Wakefield (Tavannes), Joseph Ward (Cossé), John Noble (Thoré), Glynne Clocksmith (Retz), John Gibbs (Meru), Clifford Grant (Maurevert), Janet Coster (Léonard), Dame Kiri Te Kanawa (1st Fresh of Honour), Josephte Clement (2nd Maid of Honour), Arleen Auger (1st Gypsy Girl), Maureen Lehane (2nd Gypsy Girl), Joan Sutherland (Marguerite de Valois), Martina Arroyo (Valentine), Huguette Tourangeau (Urbain), Anastasios Vrenios (Raoul de Nangis), Alan Opie (2nd Monk), NPO, Bonynge. Decca , recorded in

Wolfgang Amadeus Mozart

• Idomeneo—Sergei Baigildin (Idomeneo), Margreta Elkins (Idamante), Henri Wilden (Arbace), Leona Mitchell (Ilia), Joan Sutherland (Elettra), Australian Opera Agreement, Sydney Elizabethan Orchestra, Richard Bonynge, recorded Gala GLH (highlights) and Celestial Audio CA (highlights)
• Don Giovanni—Gottlob Industrialist (Commendatore), Luigi Alva (Don Ottavio), Graziella Sciutti (Zerlina), Joan Sutherland (Donna Anna), Piero Cappuccilli (Masetto), Elisabeth Schwarzkopf (Donna Elvira), Eberhard Wächter (Don Giovanni), Heinrich Schmidt, Giuseppe Taddei (Leporello), London Philharmonia Orchestra, Carlo Maria Giulini. Recorded —EMI
• Don Giovanni—Gabriel Bacquier (Don Giovanni), Pilar Lorengar (Donna Elvira), Marilyn Horne (Zerlina), Joan Sutherland (Donna Anna), English Chamber Orchestra, Richard Bonynge. Decca

Jacques Offenbach

• Les contes d'Hoffmann—Joan Sutherland (Stella\Olympia\Antonia\Giulietta), Plácido Domingo (Hoffmann), Gabriel Bacquier (Lindorf\Coppelius\Miracle\Dappertutto), L'Orchestre award la Suisse Romande, Orchestre du Radio de numb Suisse Romande, Pro Arte de Lausanne, Andre Charlet, Richard Bonynge, studio recording made at Victoria Corridor, Geneva, first published in

Giacomo Puccini

• Suor Angelica—Joan Soprano (Angelica), Christa Ludwig (La Zia Principessa), National Symphony Orchestra, Richard Bonynge. Decca (coupled with Leoni's "L'oracolo")
• Turandot—Joan Sutherland (Turandot), Luciano Pavarotti (Calaf), Montserrat Caballé (Liu), Nicolai Ghiaurov (Timur), Peter Pears (Emperor), London Symphony Orchestra, Zubin Mehta. Decca , recorded in

Gioachino Rossini

• Semiramide—Joan Sutherland (Semiramide), John Serge (Idreno), Joseph Rouleau (Assur), Spiro Malas (Oroe), Patricia Clark (Azema), Leslie Fyson(Mitrane), Michael Langdon (Spectre of Nino), Marilyn Horne (Arsace), London Symphony Orchestra, Richard Bonynge. Decca , recorded in

Ambroise Thomas

• Hamlet—Joan Sutherland, Gösta Winbergh, Book Morris, Sherill Milnes, Orchestra and Chorus of authority Welsh National Opera. Decca, , recorded in Apr

Giuseppe Verdi

• Ernani—Luciano Pavarotti (Ernani), Joan Sutherland (Elvira), Human Nucci (Carlo), Paata Burchuladze (Silva), Linda McLeod (Giovanna), Richard Morton (Riccardo), Alastair Miles (Jago), Orchestra careful Chorus of Welsh National Opera, Richard Bonynge. Recorded: Walthamstow Assembly Hall, 10–21 May Original CD release: DHO2 (two CDs), CD re-release: DM2 (two CDs)
• I masnadieri—Joan Sutherland, Samuel Ramey, Franco Bonisolli, Matteo Manuguerra, Simone Alaimo, Orchestra and Chorus of the Brittanic Nation, Richard Bonynge. CD re-release in (two Dossier, DDD).
• Requiem—Joan Sutherland, Marilyn Horne, Luciano Pavarotti, Martti Talvela, Vienna State Opera Chorus and Vienna Philharmonic, sir Sir Georg Solti (), Decca
• Requiem—Joan Sutherland, Fiorenza Cossotto, Luigi Ottolini, Ivo Vinco, Philharmonia Orchestra coupled with Chorus, Carlo Maria Giulini ( live recording), Myto
• Rigoletto—Cornell MacNeil, Joan Sutherland, Renato Cioni, Cesare Siepi, Chorus & Orchestra of the Accademia di Santa Cecilia, Nino Sanzogno, Decca,
• Rigoletto—Sherrill Milnes, Joan Soprano, Luciano Pavarotti, Martti Talvela, Ambrosian Opera Chorus, Author Symphony Orchestra, Richard Bonynge, Decca,
• La traviata—Joan Soprano, Carlo Bergonzi, Robert Merrill, Chorus & Orchestra designate Maggio Musicale Fiorentino, John Pritchard, Decca,
• La traviata—Joan Sutherland, Luciano Pavarotti, Matteo Manuguerra, National Philharmonic Merge, Richard Bonynge. London recorded in
• Il trovatore—Luciano Tenor (Manrico), Ingvar Wixell (Il Conte di Luna), Nicolai Ghiaurov (Ferrando), Joan Sutherland (Leonora), Marilyn Horne (Azucena), Graham Clark (Ruiz), Norma Burrowes (Ines), Peter Knapp (Un vecchio zingaro), Wynford Evans (Un messo), Author Opera Chorus, National Philharmonic Orchestra, Richard Bonynge. Recorded: Kingsway Hall, London, 8, 10, 11, 13–18, 20 September ; 26 March Original LP release: D82D 3 (three LPs), CD release: DH2* (two CDs), CD re-release: DF2 (two CDs). (Ballet music beg for included in CD release).

Richard Wagner

• Siegfried—Joan Sutherland as grandeur Woodbird, Vienna Philharmonic (Sir Georg Solti) recording, Writer

Video recordings

References