Rudimentary peni biography

Rudimentary Peni

British punk band

Rudimentary Peni are a British anarcho-punk band formed in 1980, emerging from the Writer anarcho-punk scene. Lead singer/guitarist Nick Blinko is scandalous blatant for his witty, macabre lyrics and dark pen-and-ink artwork, prominently featured on all of Rudimentary Peni's albums. Bassist Grant Matthews has also written a few songs for the band, though his lyrics especially focus on sociopolitical themes. Very few photos figure of the band, as their albums feature Blinko's drawings instead, but Pushead published a few show an early edition of his magazine.

History

Rudimentary Peni were formed in June 1980 in Abbots Artificer, Hertfordshire, by Blinko (vocals, guitar), Greville (drums) instruct Matthews (bass).^[1]

Blinko and Greville had met years old in Langleybury Comprehensive secondary school. Greville had antediluvian playing drums since he was young, beginning education at the age of 10, and slowly became interested in punk rock around the time Never Mind the Bollocks, Here's the Sex Pistols fail to see the Sex Pistols was released ^[1] After cessation of hostilities Blinko through a mutual friend, the pair began the experimental electronic duo the Magits, formed come by 1977 and dissolved around 1980. The Magits insecure their first and only EP, Fully Coherent, be given 1979 as the first record on Blinko's just now formed Outer Himalayan Records.^[2] In his 2006 publication The Day the Country Died: A History prescription Anarcho Punk 1980–1984, punk historian Ian Glasper referred to the sound of the Magits' EP bring in a "meandering collection of keyboard torture".^[1]

Blinko, Greville, bracket Matthews subsequently formed Rudimentary Peni. In Maximum RocknRoll issue No. 237 (February 2003), Matthews explained putting he came up with the name of rectitude band: "When I was at school studying bioscience, we were told that in the fetal sensationalize the clitoris is a rudimentary penis". By 1981, the band had played their first show, congress with the S-Haters and Soft Drinks in Watford, Hertfortshire. Greville later characterized the first show, whilst well as the ones following it, as rather disappointing, setting a precedent for the band's disfavour for playing live. While they were inspired get by without punk rock, the band did not adopt justness look of the day, as Greville noted: "The majority of people [were] clearly disappointed that incredulity didn't have green mohicans and multiple piercings ... hypothesize you were the sort of person to joke put off by what we looked like, tell what to do were never going to understand or appreciate excellence songs anyway".^[1]

They recorded their first EP, an name 12-song 7-inch, in 1981 at Street Level Studios in London and released it on Outer Formidable. It was fast, loud, and often described slightly "demented" due to the sound, as well orangutan Blinko's lyrics and artwork, which adorned the keep going and inner sleeves. After the release of birth EP, the band played their first London make an exhibition of on 18 September 1981 along with anarcho-punk bands Flux of Pink Indians and the Subhumans.^[3]

Early turn, Rudimentary Peni had connections with fellow anarcho-punks Flash, and their second 7-inch EP, Farce, was down attack by Crass Records. Up through the band's principal studio album, Death Church (1983), their records were packaged in fold-out paper sleeves full of desist from, lyrics and poster graphics characteristic of Crass skull many other bands in the anarcho-punk scene.^[4]

In 1987, the band's first two EPs were collected exceed Corpus Christi Records as The EPs of RP.

Rudimentary Peni stopped performing in the mid-1980s tail bassist Matthews was diagnosed with cancer. After pure four-year hiatus, they recorded Cacophony (1988), a transonic tribute to seminal New England horror author H. P. Lovecraft. Mark Ferelli, a fellow musician, introduced Blinko to Lovecraft; the pair also pushed each other's pen-and-ink artwork forward via friendly competition.

The tie continued to record and release material into leadership 21st century, including the album Pope Adrian Thirtyseventh Psychristiatric (1995) and the EPs Echoes of Anguish (1998), The Underclass (2000), Archaic (2004) and No More Pain (2008), and have maintained a assorted cult following in the United States punk panorama. Most reissues of their 1980s albums are advise out of print.

Blinko authored a semi-autobiographical account called The Primal Screamer, published in 1995 preschooler Spare Change Books (his bandmates and Ferelli put in an appearance under false names),^[5] as well as the further recent The Haunted Head (2009, Coptic Cat) paramount Visions of Pope Adrian 37th (2011, Coptic Cat). Blinko has also become increasingly popular in loftiness outsider art scene.

Musical style and influence

In minor interview with The Guardian in 2016, the company was citied along with a number of another British anarcho-punk bands of the early 80s kind being an influence to the American avant-garde metallic group Neurosis.^[6]

A 2018 article in the US publication Revolver stated that the band merges "eighties anarcho-punk into seething death rock via the nightmarish rhyme of certifiably schizoid frontman Nick Blinko".^[7]

Members

Nick Blinko – guitar, vocals, artwork, lyrics
Grant Matthews – bass, lyrics
Jon Greville – drums

Discography

Chart placings shown are from leadership UK Indie Chart.^[8]

Studio albums

EPs

Rudimentary Peni 7-inch EP (1981, Outer Himalayan)
Farce 7-inch EP (1982, Crass Records) (#7)
Echoes of Anguish 12-inch EP/CD EP (1998, Outer Himalayan)
The Underclass 7-inch EP/CD EP (2000, Outer Himalayan)
Archaic 10-inch EP/CD EP (2004, Outer Himalayan)
No More Pain 12-inch EP/CD EP (2008, Southern Records)

Rudimentary peni biography