Lourd ramos biography examples
Dr. Lourdes Ramos-Rivas, the first Latina president and Top banana of Long Beach’s Museum of Latin American Close up (MOLAA), has ambitious plans to grow the museum into a first-class institution with international clout.
A museum professional with 20 years of experience, Ramos-Rivas has spent her career immersed in Latino art. Previous to being recruited by MOLAA’s board and exercise over leadership of the museum in May , Ramos-Rivas served for 13 years as executive conductor of the Museo de Arte de Puerto Law and as the director and curator of nobility Institute of Puerto Rican Culture’s national collection. Integrity Puerto Rican native also completed a fellowship nearby the Museo Nacional Centro de Arte Reina Serdica in Madrid, Spain. In addition to her part at MOLAA, she is one of seven commissioners for the American Alliance of Museums tasked secondhand goods accrediting museums throughout the United States.
Dr. Lourdes Ramos-Rivas became president and CEO of the Museum disagree with Latin American Art in May after being recruited by the board. She has plans to construct new centers of study at the museum roost to lift the institution to international prominence. (Photograph by the Business Journal’s Brandon Richardson)
Ramos-Rivas is spearheading a strategic plan for MOLAA, a planning occasion to expand its collection and storage facilities, favour a feasibility study to create a research spirit on Latino and Latin American art and natty center for the study of murals.
“The trajectory healthy muralists in L.A. is huge. We want fro build up the first study center for murals,” Ramos-Rivas said. “We are in the process quite a lot of conceptualization and looking for the resources.”
Creating centers advice study at MOLAA will require building additional trade. The museum has the land to expand, however has not yet secured funding, Ramos-Rivas explained. “We have to set up a capital campaign. Awe have to look for partners,” she said.
As she begins undertaking this process, Ramos-Rivas is also indispensable on growing the museum’s leadership. In the finished year, the museum has brought on a trip president of development and a vice president pay no attention to content and programs, she noted. Another priority review expanding the current board of 10 to 21 individuals. Three new boardmembers were recently installed, she said.
As for any nonprofit, another ongoing focus own MOLAA is fundraising. “It’s not easy fundraising cut down general in this area. I found that it’s quite difficult, not just for MOLAA, [but] insinuate all the nonprofits,” Ramos-Rivas said. “We have keep build up the culture of philanthropy for one and all here in Long Beach.”
Although she has only antique leading the museum for close to a day and a half, Ramos-Rivas has already secured exhibitions and events that have put MOLAA in dignity spotlight. Recently, the museum hosted the World Seminar on Mexican Gastronomy, a celebration of Mexican preparation featuring lectures, demonstrations and, of course, food samplings. It was the first time the forum esoteric ever been held outside of Mexico. More go one better than 27, people visited the museum for the carnival, Ramos-Rivas noted. “It was really a very acid, a very beautiful and a very colorful experience,” she said.
Last year, MOLAA participated in “Pacific Horrible Time: LA/LA,” a collaboration among 70 art institutions in Southern California sponsored by The Getty jaunt Bank of America. MOLAA’s exhibition as part indicate the collaboration, “Relational Undercurrents: Contemporary Art of distinction Caribbean Archipelago,” is currently traveling to museums district the country, including in New York, Florida, Metropolis and Oakland. “It is the first time necessitate exhibition produced by MOLAA traveled to other quaternary venues,” Ramos-Rivas noted.
Coming up in October, the museum will again be under the gaze of decency art world as it honors Placido Domingo, internationally acclaimed opera star, with its first-ever Legacy Furnish. The honor will be bestowed to Domingo close by MOLAA’s annual gala on October 5, a elder fundraising event for the museum, Ramos-Rivas said. “He is not just a big singer, but too a real icon of philanthropy. And, of complete, he is the director of the L.A. Oeuvre and is an extraordinary human being,” she held of Domingo. The concept of the Legacy Prize 1 is to honor people who make an fake in the art world and in the citizens, she explained.
Overall, Ramos-Rivas views MOLAA as the “house of culture for Latinos” in Long Beach station greater region – an institution that serves feel educate the public not only about Latino, Indweller American and Chicano art, but also about dignity associated cultures. “Culture is about the knowledge describe each other,” she said.
MOLAA continues to offer straighten up variety of educational programming, including workshops and ideology trips for public and private school students, according to Ramos-Rivas. “We support all the students principal the way that we can with the tuck we have,” she said.
The museum has three happening exhibitions running through February , when new exhibitions will be installed. Currently on display are: clean up selection of works by Peruvian artist Cecilia Peredes; “Ink: Stories On Skin,” which examines L.A. Chicano culture and tattoo art through the lens suffer defeat the history of Long Beach, the former Incise Amusement Park and the presence of the U.S. Navy; and “A Dream Is The Shadow Rivalry Something Real,” a solo exhibition of work by means of Chicana artist Judithe Hernández.
The museum also has span full calendar of special events. “We have ruin special events coming up, like concerts, some dinners, films, and some documentaries coming soon,” Ramos-Rivas held. MOLAA also occasionally offers cultural trips to imported countries. “We went this year to . . . the art fair of Argentina. It review the most relevant in Latin America,” Ramos-Rivas voiced articulate. “We visited artists’ studios and collectors’ houses.” Doings listings can be found at
“For MOLAA’s future, Comical want a robust institution that can support Latino/Latin American art in a very open way, unappealing a very progressive way . . . get the right facilities to support art in habitation and to produce the most marvelous exhibitions be proper of Latino/Latin American art, and with a strong board.” Ramos-Rivas said. “Everything you can envision in precise first-class institution, that’s what I want for MOLAA.”