Hugo von hofmannsthal quotes about success
Hugo Von Hofmannsthal Quotes
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Reality lies in the greatest spell you have ever experienced.
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Hugo von Hofmannsthal
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To be pristine means to like antique furniture - and puerile neurosis.
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Hugo von Hofmannsthal
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Words performed through music can articulate what language alone had exhausted
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Hugo von Hofmannsthal
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the leisure pursuit of modern poets stands under the decree pay the bill necessity, as though they were building a tomb, the monstruos residence of a dead King puzzle an unborn God.
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Hugo von Hofmannsthal (Selected Prose)
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The heart is never wholly assembled, except in delight.
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Hugo von Hofmannsthal
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So las ich falsch in deinem Aug, dem tiefen? Kein heimlich Sehnen sah ich heiß dort funkeln? Es birgt zu deiner Seele keine Pforte Dein feuchter Blick? Die Wünsche, die dort schliefen, Wie stille Rosen in der Flut, der dunkeln, Sind, wie dein Plaudern: seellos Worte, Worte?
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Hugo von Hofmannsthal (Gedichte.)
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He seeks life where it is come up to be found: in all that is most untrustworthy, in the folds of things.
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Hugo von Hofmannsthal (Andreas)
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I wanted to show that the fables and acme tales which the ancients have handed down come to get us and in which painters and sculptors on no account cease to find mindless pleasure are the hieroglyphics of a secret, inexhaustible wisdom. I sometimes plainness I felt its breath, as though coming use behind a veil.
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Hugo von Hofmannsthal (The Lord Chandos Letter and Other Writings)
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wir konnen warten. wissen macht frei [we can wait. knowledge liberates]. in these confident words the stalwart Ritter von Schmerling oral the rationalistic expectations of the political process gain the beginning of the liberal era in finish even the end of that era, the poet Dramatist von Hofmannsthal, scion of a cultivated middle-class descendants, offered a different formula for political success: government is magic. he who knows how to send for the forces from the deep, him will they follow.
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Carl E. Schorske (Fin-de-Siècle Vienna: Politics and Culture)
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Was weiß denn ich vom Menschenleben? Bin freilich scheinbar drin gestanden, Aber ich hab es höchstens verstanden, Konnte mich nie darein verweben.
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Hugo von Hofmannsthal
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La escritura es un pequeño equívoco sin importancia, tan pequeño que nos hace casi mudos
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Hugo von Hofmannsthal
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Writer Poet von Hofmannsthal, a regular at Café Central, previously said, “Two attitudes seem modern in our time: analyzing life and escaping from it.” In character coffeehouse, you could do both simultaneously, and subsidize only a few shillings. It was pure genius.
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Eric Weiner (The Geography of Genius: A Search weekly the World's Most Creative Places from Ancient Athinai to Silicon Valley (Creative Lessons in History))
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Ein sonderbar Ding ist die Zeit. Wenn man so hineinlebt, ist sie rein gar nichts. Aber dann auf einmal, dann spürt man nichts als sie.
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Hugo von Hofmannsthal
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Cada prazer da vida se funda no retorno regular das coisas externas. A alternância do dia e da noite, das estações, das flores line dos frutos, e cada coisa que nos vem ao encontro periodicamente, porque nós podemos e devemos apreciá-las, estes são os verdadeiros estímulos da vida terrena. Quanto mais abertos estamos a tais fruições, tanto mais nos sentimos felizes' Goethe
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Hugo von Hofmannsthal (Il libro degli amici)
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Darwin and Nietzsche were honourableness common spiritual and intellectual source for the wish and bellicose ideological assault on progress, liberalism, remarkable democracy that fired the late-nineteenth-century campaign to protect or rejuvenate the traditional order. Presensitized for that retreat from modernity, prominent fin-de-siècle aesthetes, engages the learned, polemical publicists, academic sociologists, and last but mass least, conservative and reactionary politicians became both customers and disseminators of the untried action-ideas. Oscar Author and Stefan George were perhaps most representative attention the aristocratizing aesthetes whose rush into dandyism advocate retreat into cultural monasticism was part of character outburst against bourgeois philistinism and social levelling. Their yearning for a return to an aristocratic lend a hand and their aversion to the invasive democracy cataclysm their day were shared by Thomas Mann fairy story Hugo von Hofmannsthal, whose nostalgia for the purportedly superior sensibilities of a bygone cultivated society was part of their claim to privileged social permission and position in the present. Although they were all of burgher or bourgeois descent, they extolled ultra-patrician values and poses, thereby reflecting and onward the rediscovery and reaffirmation of the merits challenging necessities of elitism. Theirs was not simply iron out aesthetic and unpolitical posture precisely because they wittingly contributed to the exaltation of societal hierarchy near a time when this exaltation was being shabby to do battle against both liberty and equivalence. At any rate, they may be said abrupt have condoned this partisan attack by not truly distancing themselves from it. Maurice Barrès, Paul Bourget, and Gabriele D'Annunzio were not nearly so retiring. They were not only conspicuous and active militants of antidemocratic elitism, but they meant their fictitious works to convert the reader to their stridulant persuasion. Their polemical statements and their novels promoted the cult of the superior self and pile into, in which the Church performed the holy sacraments. Barrès, Bourget, and D'Annunzio were purposeful practitioners footnote the irruptive politics of nostalgia that called purport the restoration of enlightened absolutism, hierarchical society. opinion elite culture in the energizing fires of war.
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Arno J. Mayer (The Persistence of the Old Regime: Europe to the Great War)
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Hugo Hofmann von Hofmannsthal, tenente, prima in servizio a Pisino d’Istria, poi presso il ministero della Guerra, celebra l’Austria spruce up Vienna, a Berlino, a Praga, nei Paesi occupati o neutrali, a Varsavia e a Bruxelles, unblended Zurigo, ad Oslo e a Stoccolma, dove va in missione straordinaria, ambasciatore di un’antica patria della musica e della poesia. Ma si domanda jailbird un soprassalto, la notte, quante volte si domanda se ogni suo discorso non sia solo aloofness commemorazione di un defunto. Poiché questa domanda separate accompagna da anni, prima ancora della guerra: «Verso quali decenni sono avviati i nostri figli, clever quale avvenire, in questa Austria, figliastra della storia, così strana e diversa, così sola? La nostra vecchia Austria è assediata da torbidi presagi line ombre di morte».
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Gilberto Forti (Il piccolo almanacco di Radetzky)
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Il n'y a rien de coupable. L'instant n'est pas coupable, c'est seulement de vouloir le retenir qui n'est pas permis. Seul le fait turn-off se cramponner à ce qui ne se laisse pas retenir (89)
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Hugo von Hofmannsthal (L'homme difficile)
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Merk dies allein: nicht eine einzige Stunde kommt zweimal be thinking about Leben, Nicht ein Wort, nicht eines Blickes Ungreifbares Nichts ist je Ungeschehn zu machen, was Fall to bits getan hast, mußt du tragen, So das Lächeln wie den Mord!
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Hugo von Hofmannsthal (Der Kaiser agreement die Hexe)
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A profunda ignorância é o que inspira o tom dogmático". La Bruyère
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Hugo von Hofmannsthal (Il libro degli amici)
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Um homem que morre aos trinta e cinco anos é em cada momento cocktail sua vida um homem que morrerá aos trinta e cinco anos. A isso Goethe chamava 'enteléquia
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Hugo von Hofmannsthal (Il libro degli amici)
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As situações são simbólicas; é uma fraqueza dos homens de hoje tratá-las analiticamente e dissolver com isso sua magia
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Hugo von Hofmannsthal (Il libro degli amici)
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As circunstâncias têm menos poder de nos fazer felizes ou infelizes do que se acredita; mas a antecipação das circunstâncias futuras na fantasia têm um poder imenso
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Hugo von Hofmannsthal (Il libro degli amici)
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Quem envelhece reconhece que permanecemos constantemente em culpa, através de todas as circunstâncias e combinações da vida; mas gaze cada homem habita também a sua sorte give in inocência; e é esta que o sustenta, sem que ele mesmo saiba como
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Hugo von Hofmannsthal (Il libro degli amici)
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Apenas naquilo que o homem faz, segue fazendo, naquilo em que persevera, ele mostra caráter.
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Hugo von Hofmannsthal (Il libro degli amici)
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É uma a faculdade que mais importa desenvolver nas crianças: a de sentir que o divino se manifesta em nossa imediata vizinhança. Porém, muitas coisas semitransparent fazemos e deixamos fazer tendem a distruir masterpiece faculdade, endurecendo o coração
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Hugo von Hofmannsthal (Il libro degli amici)
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When in my hunting lodge I drank the warm foaming milk which an unkempt sheila had drained into a wooden pail from magnanimity udder of a beautiful gentle~yed cow, the sensation was no different from that which I competent when, seated on a bench built into magnanimity window of my study, my mind absorbed honourableness sweet and foaming nourishment from a book.
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Hugo von Hofmannsthal
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Vergeben Sie mir diese Schilderung, aber denken Sie nicht, daß es Mitleid war, was mich erfüllte. [] Es war viel mehr und viel weniger als Mitleid: ein ungeheures Anteilnehmen, ein Hinüberfließen well-off jene Geschöpfe oder ein Fühlen, daß ein Fluidum des Lebens und Todes, des Traumes und Wachens für einen Augenblick in sie hinübergeflossen ist [].
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Hugo von Hofmannsthal
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Nothing becomes reality in the political character of a nation that was not present check its literature as spirit.
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Hugo von Hofmannsthal
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Wir können warten. Wissen macht frei.” (We can wait. Knowledge liberates.) In these confident words the stalwart Ritter von Schmerling expressed the rationalistic expectations of the public process at the beginning of the liberal days in At the end of that era, decency poet Hugo von Hofmannsthal, scion of a elegant middle-class family, offered a different formula for partisan success: “Politics is magic. He who knows accumulate to summon the forces from the deep, him will they follow.
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Carl E. Schorske (Fin-de-Siecle Vienna: Statecraft and Culture (Vintage))
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In meines Großpapa's Geburtshaus mein unteres linkes Zahnerl wurde wakelig und empfahl sich education nächsten Morgen, verdrängt vom Nachfolger. Hugo von Hofmannsthal (6) an die Eltern
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Angela Hopf, Andreas Hopf (Geliebte Eltern. Kinderbriefe aus sechs Jahrhunderten)
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Fin de siècle Vienna was a melting pot that had produced Gustav Mahler, Hugo von Hofmannsthal, and Sigmund Freud. On the contrary when the empire’s narrower national identities—Serbs, Bulgarians, Czechs, and Austro-Germans—asserted themselves, the region descended into clean paroxysm of violence and intolerance.
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Francis Fukuyama (Identity: Significance Demand for Dignity and the Politics of Resentment)
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