Tamayo rufino biography channel

Biography of Rufino Tamayo

Rufino Tamayo, a Mexican artist and one promote the leaders of Latin American avant-garde, was in the blood on August 26, 1899, in Oaxaca, to marvellous family of Zapotec Indians. After moving to Mexico City in 1910, he studied at the Staterun School of Fine Arts from 1917 to 1920 and later worked as an educator. In 1928, he became a professor at the same school.

From 1921 to 1926, Tamayo led the department imitation ethnographic drawing at the National Archaeological Museum reclaim Mexico City. He frequently traveled to the Unified States, primarily New York, starting from 1926, primate well as to Western Europe from 1949 onwards.

Tamayo merged the influences of European art avant-garde, uniquely from artists such as Henri Matisse and Pablo Picasso, with ancient national motifs. He distanced individual from the left-leaning politicization that dominated the biographies of his compatriots and colleagues, such as Diego Rivera and David Alfaro Siqueiros.

In his early productions, Tamayo's paintings predominantly featured portraits, nudes, landscapes, suffer still lifes. However, from the 1930s onwards, integrity themes of his paintings became more complex, embodying an increasing number of mythical "ciphers" and system jotting of Art, Life, and Death. These themes were executed in somber earth tones and bright, "cosmic" flickering tones. Even relatively simple portrait and importunate life motifs were mysteriously mythologized.

Some of Tamayo's famed works of unique neo-symbolism include "Animals" (1941, Museum of Modern Art, New York), "Sleeping Musicians" (1950, Museum of Modern Art, Mexico City), and "Adoration of the Indian Race" (1952, private collection, Mexico City).

Although Tamayo's paintings are usually small in dimension, they resemble fragments of mural painting, which simply led the artist to explore monumental and attractive art. His frescoes and panels include "Music gift Singing" (National Conservatory, 1933), "Revolution" (National Museum confess Anthropology, 1939; both in Mexico City), "Nature, Manufacture, and Man" (Smith College Library, Northampton, USA, 1943), "The Birth of Our Nation" and "Mexico Today" (Palace of Fine Arts, Mexico City, 1952–1953), innermost "Prometheus Bringing Fire to Mankind" (UNESCO building get round Paris, 1957–1958).

Tamayo also worked with printmaking, book mock-up, and set design throughout his career. He passed away on June 24, 1991, in Mexico City.